Rathnavelu’s cinematography is simply superb. He definitely was his hero, and the way he showcases the father character really shows his unfiltered affection for his hero. I read about how his own father’s passing affected him when making this movie, and you can clearly see the influence. It captures a person’s life like a great novel would. It just feels epic, without trying to be an epic. Though his more recent work has not been stuff I’ve liked as much, I felt that there was there was a certain vibe and aura that he brought with this film. Every time I rewatch this movie, I always hum along subconsciously.Īlso read: A Harris Jayaraj Fan Analyses His Harris Jayaraj Fandom That light musical cue, with a brilliant use of piano, is a prime example of why this film’s soundtrack is one of the best to have ever been produced in Tamil cinema. There’s a musical cue right after the song Nenjukul Peidhidum ends, when Suriya is on his knees as Sameera Reddy‘s character walks away. You understand why people refer to Jayaraj as a “melody mannan” in the music field. There’s real love being brought forward in this score. It’s extremely hard to top a magnificent soundtrack like this. Harris Jayaraj seemed to be in a zone when working with Menon, and I kind of understand why the two stopped working together after this film. It’s one of the greatest performances I have ever seen in world cinema, and I feel it is under-appreciated. He feels like a different person at the different stages. No matter what happened in the young man’s life, his father was always there to help guide him. It felt honest and caring in the portrayal of this parental dynamic.
It was something that felt foreign in Tamil cinema, where the plot device of father-son conflict is very common. There’s multiple scenes in which the father constantly encourages and brings up the son’s confidence. Suriya and Gautham Menon seemed to have figured out the perfect formula and recipe in channelling a real life story to Tamil cinema. From the childlike wonder of looking up to to a father figure, to the youthful brashness and confidence that comes with love, to the mellowing down and searching for one’s purpose of life. Never before had I witnessed a film from Kollywood that treated life like poetry, emphasising on the highs and lows of a person’s life. The reason why Vaaranam Aayiram ranks as my favourite one, or one that I reminisce about a lot, is its exploration of life. I’m a film fanatic, the type that will watch a film or two a day, depending on how much time I have. In my opinion, it’s really hard to distinguish a favourite film. So entering the theatre with a bunch of my friends, I had no idea I was about to watch a life-altering film. I knew I was in for something different in comparison to Suriya and Gautham Menon’s previous venture ( Kaakha Kaakha). I was hyped after seeing the beautifully crafted trailer.
I remember listening to the amazing soundtrack from Harris Jayaraj almost every single day. It was back in 2008, and living in Toronto, Canada, watching a Tamil film in theatres was always a special occasion. I was lucky enough to watch this film on the first day of its release.
#Vaaranam aayiram movie#
But when it comes to my favourite film, I had to think of a movie that moved me in a way that a lot of movies are not able to. They’re the trio that I consider as the best of the best, and the ones who seem to always elevate even the most formulaic of stories. To me, the best Tamil movies of all time include Mani Ratnam, A.R.
0 kommentar(er)
